Dear person on the other side of the conversation:

I have just reciprocated the question you asked me earlier to avoid talking about myself too much. I am trying to connect and get to know you. Your task is not give me the shortest possible answer, making me feel like my only purpose in your presence is to entertain you and confused as to whether I should keep talking or not. Help me out a little for god's sake

Signed, your very confused oomf

5/25/25

Dream BBQ has two components to it which have defined much of my taste in media, that being, a split character and a surreal world. In this game you play as Ena, a character with two personalities, represented by a rather on-the-nose physical color split, whose main task is to "find the boss". Being an aventure game with only minor platform and puzzle elements, I feel its stength lies in atmosphere above all else, perfectly balancing relatability of the characters with chaos of the world.

Before Dream BBQ, Ena was already traversing strange low poly landscapes with her pal Moony in an untitled video Series by Joel G. His inspiration for her design came from the painting "Girl Before A Mirror" By Pablo Picasso and the art of Romero Britto, so it's no surprise Dream BBQ is reminicient of a surreal painting you've been sucked into.

Interestingly though, most of the characters are represented by flat 2d animations rather than 3d models. I'm sure this mix is more common than I'm aware of, but I've only ever seen it done one other time and it looked like ass. In Dream BBQ, however, though the flat images look odd from certain angles, they somehow meld with the enviroment well most of the time and I wouldn't have it any other way. Of course the concept of mixing 2d and 3d isn't new in animation, it's just not something I've seen done in games much. Part of the reason it works well here is intentionality of course, but I think the world itself looking as odd as it does certainly helps the contrast not to stand out much; severed legs swimming in an ocean of blood with no explainable origin, a toilet as a sacred place, and pants with coral growing out of them.

I have always had a fixation on the surreal, perhaps as a means of expressing the unexpressible, maybe because some part of me is deeply fucked up and cannot comprehend what I wagiven, or perhaps I am simply unsatysfied with what I'm expected to live with. Whatever the case, it's always been a part of me. And maybe that's why I'm so willing to put aside everything I've learned about this world and imagine myself in that one. If I was born in Dream BBQ, I don't imagine things would be much different for me on an emotional level. Even if you're not like me, I'm sure you're able to relate to the characters in some way, though. That's what I love about this game. It's a a beautiful dance between emotional relatability and the absurd; maybe you have a shitty job, you're treated like shit for breathing, you have a religious complex, seek forgiveness... presented as a vibrant collage of cultures and artforms and blood and so on.

I can't write this entire review and not mention our beloved main character of course. I find troubled characters with unstable or even multiple personalities facsinating. Not in a literal DID sense, but in a spiritual or symbolic sense. In Ena's case, actually physical. You can examples of this in many of my previous favorites: Reigan Arataka, Vincent Law, Lain and so on. Ena's two personalities, represented by two different voices, are "Meanie Ena" and "Salesperson Ena"; and the way she spontaneously switches between the two mesmorizes me. Meanie is demanding and honest to a fault, whereas Salesperson maintains this eerily unmovable and hollow positivity. I don't like it when people try to diagnose her, if she is meant to be relatable I believe it's in a broader sense and that it's reductive to measure her personality to our real-world standards.

It's not all serious, though. Another one of the interesting aspects of Dream BBQ's absurdity, which carries over from the previous series, is the humor in surprisingly blunt dialouge; "Seek help, pull yourself up by your boob straps" "Go away, Ena, and get a life! That is my quest for you today" being two well known examples. On the other hand... well, there's the sacred toilet. I'm sure the devs were laughing their heads off writing some of the lines for it, but it's also an integral part of the entirety of chapter one. I don't think you can say it's not serious exactly. For fucks sake, the scene where Ena actually sees the toilet for the first time was one of the most emotional parts of the whole thing to me. It's funny how much the characters hate Ena and it's also saddening and I fully think that's how it's supposed to be. Life itself is absurdly funny.

All in all, it's been a long time since any piece of media appealed to me this strongly, I think it's a surreal masterpiece, and I strongly look forward to seeing where the next chapters lead us to.

5/17/25

I watched Death Parade a while back so this review is a bit late in coming, but what compelled me to write it now is that I've been listening to the outro song a lot. It's absolutely beautiful. Despite this though, I didn't vibe with the actual show that much? The parts that were good were REALLY good and the rest hovered right on the line of mediocre. Death Parade is a bit corny for my tastes, but it's not bad and I think the overall message is that you can't sort people into the categories of "deserving hapiness" and "not", specifically in a spriritual sense, which is something I always enjoy no matter how times I've seen it.

Usually this theme is done through a christian heaven/hell lens though, so it's refreshing to see reincarnation/destruction used instead.

One of the main things that I didn't like were the instances where the plot "threatened" to be dramatic, but wheezed out on an underwhelming note, like when the dude in Rolling Ballade had this freaky psycho look while holding the heart bowling ball. I always find these kinds of "haha, you THOUGHT we were upping the stakes, didn't you?" plot twists to be annoying. What I remember most strongly were the last two or three episodes, I think. While I liked Decim and Chiyuki's dynamic most previously, and didn't care for the way it was ended, but while I didn't care much for Ginti/Mayu/Harada's side plot initially, their ending made me the saddest (translate: I enjoyed it). What was most corny to me was the whole "emotionless character learns emotions" thing or whatever. I do like this trope sometimes but the way they ended his arc was just kinda goofy. (Clutches heart "what is this... is this feeling...is it, CRINGE?" sinks to my knees)

Overall, I did enjoy Death Parade, just felt it fell flat in some areas.

4/3/25

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2/14/2025

The Good Old Times

If you're chronically online enough in the right spaces like I am you probably know there's been a resurgance of aesthetics from the early 2000's, aka, "y2k" (and also webcore to some extent). There's nothing wrong with these styles but the extent to which this romantisciztion has gone is getting a bit out of hand. I understand that everything is terrible right now. I don't fault you for seeking escapism. But pretending you live in another era won't fix it.

There was something this guy said, "I can't stand people who are stuck in the past and can't make something of themselves in the present" and it pissed me off at first because he was kind of dunking on 2000s fashion but I think I get where he's coming from now. The 2000s were not a good time for queer people or at least not from my perspective, and lgbt people romanticizing y2k as a whole always makes me kind of uneasy. Again, I'm not just talking about using mp3s and cutting your bangs ~like that~, I mean fully believing earlier times were superior to this one. Though I don't know much about what it would be like to live in the late 1900s it also applies there. Imagine being in that year for a little while if you must, but be honest about the fact that every era came with its downsides, and simply being in another year wouldn't necessarily save you. We should be trying to fix the present, not regress to the past.

1/2/2025